Sunday, January 31, 2010

The strange case of a man, a doll and a straw...



I've been mulling over this image for about a week as I've at a loss as to best describe the image at hand. The oddity of this man, and the images unclear subject lacks my words as my thoughts are muddled.

Last week as I walked the beach in Waikiki I encountered a strange yet compelling subject(s)...

I found a small float like raft, anchored in in the man made tide pool roughly in front of the Hyatt.



The raft, which I thought belonged to a child, carried several dolls and small toys. A black doll, white doll, and a few figurines of different sizes and shapes. My initial thoughts were how cute..a young girl brought her toys out to the beach. But strangely enough, I see a older male of Japanese decent walking towards the raft. He wore a life preserver, a red swim cap, chin strap pulled tightly under his pudgy neck, a rash guard swim shirt and tight swim trunks. After living in Hawaii and spending loads of time in Japan, Japanese never seem to surprise me as odd behavior go hand in hand with many otaku and I figured this old guy was being Japanese.

He was sitting with a normal looking older Japanese lady wearing a nondescript suit but had a cheap green inflatable inner tube around her waist. I overheard her referring to him as Otosan which means father/dad in Japanese but also carries the same connotation of a husband/wife refering to each other as mom/dad.

They perched on a spot on the sand with towels, ice box, and what not so I knew they were out for the afternoon. I did keep scanning for their granddaughter or kids who were playing with that raft.

Oddly enough, Otosan waded into the water, went for a brief swim then walked over to the raft with the dolls and began to take each one out and wash them as if they were animate and were hot from sitting in the sun. He delicately took each doll out and cupped water into his hands and gently washed the dolls off. Hmmm...I though for sure he was autistic or had some type of mental condition. I was surprised to see him do this action yet he seemed to be functioning as he wandered around the water, spoke to other bathers on the beach (I didn't hear if he was speaking English but the bathers were clearly non-Japanese) so this again threw me off.

So after washing the dolls off, he walked back to his lady friend sat down and enjoyed a few moments drinking from a large Arizona tea can. I took a break from the sun and went and sat under a tree keeping my eyes open at this strange raft and whatnot.

After a bit, I noticed Otosan poured his drink into a mug with a straw and start to walk back into the ocean towards the raft and his dolls. I then knew what was coming.



I really was taken back by this. He took each individual doll and gave them all a sip from his straw. He lovingly took each figurine and gave them each a moment to drink from his mug so they might also enjoy themselves on the beach. Otosan was treating each figure as if they were real. I wasn't sure I was doing the right thing by firing away at this guy and I did feel a bit guilty as I was spying on someone. But as I am a photographer, I sometimes have to pry into peoples lives in order to understand what and who we are.

So after rattling off a few frame, Otosan, who never noticed me, but I think his lady friend did, wandered back to his spot, grabbed a tackle box and rod and went fishing off the rocks. Either he was completely functioning with some type of condition or he was nuts. I mean I could dive deep into an analysis about this guy (maybe kids died...etc...) but its too much. My wife did point out immediately that a pregnant bather wandered into the frame behind him. Did I see her? No...and my initial thoughts after editing my film were she messed up the shot as she walked into my frame. But the psychology of having her in there....well...it means something, don't it?

I got bored waiting for him to return so I kept wandering and found tidbits here and there but eventually wandered back to my spot with Otosan. I observed him wading back from the rocks and over to Okasan (Mom) and it seemed she ordered him to go change and they were leaving. Sadly my parking meter was almost up and it was taking him forever to return from the changing room so I had to leave the site leaving the mystery of the dolls to the wind.

I really have nothing more to say about Otosan and this image. I might re-write some of this at some point but I'll leave it at that.


A note about the film...Kodak's Ektar 100 held up nicely though I wasn't very happy how the reds were over saturated in the scan from my Nikon 8000 but I couldn't seem to control that either in the scanning software or Photoshop. I tried to pull down the saturation in both but all it would do would muddy up the color. I might get a drum scan of this image at some point.

Saturday, January 30, 2010

GET LOST!



Oh poor Yunjin Kim. Cute as you may be, you fell into my camera like a deer stuck in headlights. Don't fret. You are way too cute to worry about that. And I moved very pretty pictures of you.

Tonight was the premiere of the last season of ABC's Lost, a program I've never seen. Yet I had a small part on the show and was asked back for a multi day part.



I sadly had to turn the part down only because the pay was so low ($75/day or something like that) and a day could last 24 hours. Yo, thats not for me. In the above shot, I was a (of all things) a cameraman. HA!

Anyway, the red carpet took place in Waikiki and all the stars strutted down the catwalk, priming and posing all the way. It was a fun evening and in my line of work, its amazing I can show up in sandals.



Ah, life is way too fun.

Monday, January 25, 2010

a roll of film on Sunday, or was it two...?



After a hard day of community gardening at Foster Botanical, (oregano, basil, jalapenos, and whatnot...) I took off to the beach with the Leica and shot a few rolls just to keep the mind sharp and the eye fresh.

I parked near the Ilikai Hotel* and walked down the sandy way and it didn't take but seconds to find something interesting to put down on film.

The surfer was looking out at the small break out in front of the Hilton as well as waiting for his buddies to come along. I was hoping he'd cross my path but nonetheless, I got a different view of what I initially had imagined.

Sadly, I found myself wishing for my pro body and high resolution...yet the limited resolution adds to the mystery of what I saw and what I didn't or wasn't able to record. The mistakes of film (resolution, silver, development) all equal character. This is what we forget in capturing imagining. I spent so many years in New York working with photographers and never realizing the reason so many looked the same is because there systems were the same...A Mamiya RZ with a 110mm or 140mm lens on Kodak 160 VS filmed pulled to 80 developed at Duggal at such and such temp...blah blah blah!

It all looked the same except for Steve McCurry...

Now, he looked different. His new book, The Unguarded Moment, is simply what I hope to achieve with my life. Alas, his life is photography. For the rest of us, its a bit different. Its not easy to sacrifice EVERYTHING for your work.

His book can be found here.

As I find, sometimes using a different tool will yet a different experience.

SO back to Hawaii...



Walking by the new lagoon at the Hilton, I stumbled upon a well dressed man with two dogs. I couldn't help but to snap one off. He was so interested in having me get his shoes. I am not sure why he had the duds on but he was very happy to pose and the dogs cooperated as well.



I'm not sure why I like this image of this woman at the Halekulani but it struck me as something I wanted to scan.

Anyway, its been about two months since I've wandered the beach. Might go back today.

*The Ilikai Hotel is the spot where Hawaii 5-0 filmed their famous spot with McGarrett on the rooftop. See it here around 16 seconds into the clip. I just realized Jack Lord played the original Felix in James Bond. He was in Dr. No! Book 'em, Jimmy! McGarrett is the BEST! Chee ho!



I think my father has shades like that.

Monday, January 18, 2010

Sony Open golf



18 holes of golf is tough...its even tougher when you gotta play 18 holes over multiple days. Its even TOUGHER when you gotta shoot 18 holes of golf...over mulitple days...carrying multiple camera...and a hella heavy 400mm 2.8 lens. Oh and you can't forget remaining absolutely silent and still, and watch every frame you click as to avoid offending the concentration of super serious golf pros. What a pain and strain photo life can be when you got sun, green grass, and blue sky as your office.

HA!

But seriously, the sun sunburns, grass gives allergies, and the blue sky was at times filled with our lovely volcanic gas smog.

Oh and you can't forget that darn heavy camera equipment!

Either way, it was great fun running around with Sam, Stan...err...PACO...Chris, Hugh, and Tanner. And al the Japanese media. Great meals at the clubhouse, cute golf girls who follow the pros (no wonder Tiger got in trouble) and camaraderie all around.

Yet the most important aspect of the tournament is the last day. The winning shot. And from the image above, it seems I got it. As the last two players came down the 18th fairway, playoff looming, the media jostled for position and struggled to avoid shooting the Golf Channel cameraman who has all access and can jump into anyone's frame at anytime.

So as I chose my spot, freezing to the grass as we can't move once the players start to putt, I aimed, waited and fired. And I got it.

Its always so much fun to outshoot the competition!



Oh and that's not a thumbs up, its the Gig'em Aggies.

Postscript...

I do have to say, Gentry's theme music to Sabatini is great. Ask him next time you see the giant.

Friday, January 15, 2010

Big Island Travel


Got a Big Island story in the New York Times travel section. Got to shoot a story on agro-tourism.

See and read it here.

Tuesday, January 05, 2010

chimping!



I got caught not paying attention.

Oh well...i got a close up of Rush's shoes though.

Friday, January 01, 2010



I got to shoot the Village People for New Years!

Hey, sadly, it wasn't the show I expected as disco was long ago.