Monday, September 21, 2009

OUCH!



ITAI!


Yes, yes...hairy leg...blah blah...

BUT this is what you get when you slip on the rocks at the beach...while holding a camera...


the camera is fine.

I have raspberries on my leg, arm, and shoulder (left side) and all my camera got was a dusting of sand...well, I hope. I haven't developed the film nor have a I checked the focus but I didn't hear the sickening sound of metal hitting rock. I heard and felt the scrape of flesh hitting rock and coral though. Yukako was shocked as she said my only goal as I plunged to earth was to keep the camera from taking a dive. Body and bone...well...they heal. Glass and metal do not.

This is a testimony to the strength of a camera...well...


well...maybe its the handler who has it all.

Wednesday, September 16, 2009

Volcano




Last month Felicity, and NY Times writer and I, drove around the south side of the Big Island from Kona to Hilo in search of alternative energy.

Story can be read here on the NY Times site and the multimedia piece can be found here.

Good stuff all around as it made you think about alternative energy sources and the controversy that surrounds it. Hawaiian activist are against geothermal plants mining steam to convert into energy...yet...the geothermal plant is on dangerous ground as they are built in the rift zone where lava from Kilauea could easily flow.

Ironically, the geothermal plant can harvest tons of energy but still have to deliver their product via HELCO. HELCO has the monopoly on the energy transportation lines hence an inflated price of energy for all the users in Hawaii.

We could look for other alternatives like wind, wave, etc...but we run the gamut of pissing off some group who say we'd disrupt bird migration patterns, surf breaks, or Pele herself. Maybe we should stop breathing...

Thursday, September 10, 2009

this guy got it right...

great blog piece on the price of a new M9.

blog

Wednesday, September 09, 2009

999 and the M9.



Today on the 9th, Leica released their newest M body, the M9. The camera is full frame 18 megapixel camera. Looks promising but the asking price is starting at $6,995. Might be cheaper at discounters like bhphoto.com but is roughly $7K.

Thats a lot of dough for a camera that might be somewhat limiting in compared to today's baddest cameras. Canon's newest release is the Canon 7D, an 18 megapixel HD video camera for less than $2,000. The Canon does have a smaller APS-C sensor, meaning its much smaller than the full frame camera bodies (the Leica is full frame) so that accounts for its much cheaper price.



The Canon, sadly will end up on the junk heap after a few years as it doesn't seem to be a highly machined tool unable to stand up to the rigors of professional use (dropping, rain, dust, rolling around the front seat of a car, etc...) I don't mean to imply its not a good or even great camera but it probably isn't made tough. The camera is not professional grade. Would I purchase it? Well...depends on how much money I have to spend. I might not use it for my bigger jobs but other easy simple jobs, for sure. Would I use it for HD video...surely. Would I use it in the rain at a football game? Probably will conk out. Would I use that new M9 in the rain? What are you crazy? Get a $7,000 camera wet?

The Leica would be a dream to own but its a bit impractical. My good friend David (who is a bit of a cameraphile) told me that his European father held "Leica with great reverence. "The Leica, now that's a camera."" Leica is and it still is a great camera. Its machined well and made to last. The lenses are top notch and 50 year old lenses still hold a premium. However, their latest price point and their newest lenses are well out of most pros and middle class hands. Lens prices start at $1,800 and move close to $6000. Now we are talking about a 24mm F1.4 lens for six grand! Canon's equivalent lens is $1700 and its autofocus. Now I am not one to compare lenses and you readers and can say what you want about the quality of German engineering and bokeh blah blah, however, at least for me, a client doesn't care if the lens is $6,000 or $1,700. Just get the shot and the job done.



Assuming you already own Leica lenses, for the price of $7,000 for the M9, you would have to shoot close to 700 rolls of film (assuming film is $10/roll) to break even with the new digital body. That is roughly 252,000 frames or pictures. I have surely shot that with my Canons over the months or years I've owned my three camera bodies. I make 99.9% of my money off those three cameras. I am not saying that I couldn't make that kinda of dough off an M9 or two but the diversification of lenses, accessories, etc...is cheaper, easier to use, and again cheaper.

World War II, Korea, and Vietnam introduced the middle class to the Japanese cameras. GIs stationed in Asia could purchase a Leica knock off for next to nothing. After the war, Japan created really great imitation German cameras. Although Leica was far superior, the Japanese cameras were cheaper. GIs saw these imitations at the PX and took them back to America. The Japanese learned how to make cheaper and consequently better cameras over time and basically took over the middle class camera sales in the West. And obviously, the single lens reflex camera became far superior than the rangefinder. Yet, Leica was still highly regarded due to their superior quality but also for the fact their prices were much higher than a Kodak or Canon camera, then and even now. Leica became the doctor's camera, Nikon/Canon/Kodak became the working man's camera. Leica is elite. Canon is common.



Funny I get stopped all the time by strangers to ask me about my Leica when I'm on the street. Its amazing how people react. Its as if I have a Ferrari strapped around my neck. In reality, I am a poseur with a used camera and lens so I am not really a rich guy pretending to be one.

Again, Leica has made a great tool. Word is not out on the quality of the Kodak sensor inside the M9 but the quality of cameras at this level should all be great...and if it not, what a waist!

I won't run out and buy one just yet. I will wait till the M10 or M11 is released and pick up a used body for a quarter of the price. Readers, at this point, you must know that all digital cameras are all computers which at some point will all need to be upgraded. My Canon Mark IIs are doing a fine job right now. There is no reason to replace them with anything just yet but that time is coming. I will have to shell out $5-8,000 for a new body with x amount of megapixels and HD capability and whatnot. I will need new accessories and new gadgets as well as new flash cards to manage those new huge files. Along with that, my current Intel Mac won't be able to handle that new huge file and I will be forced to cough up another couple of thousand dollars for a new machine, new hard drive, storage, etc...

I will never catch up as technology just keeps going and we camera fools are eagerly waiting to dump our dollars at newest and best bit out there. I myself will wait. I will wait till my clients say its time. I don't really care to play the game but when I do...well...hello Mastercard.

My friend David also said to me today he remembers his brother bringing home a new Nikkormat camera back in the 70s or so. That camera is still great. It might not have all those new bells and whistles the marketers want us to purchase but put a roll of film in it, snap a few images, take the roll to Costco, get it scanned and wham! you got an image. That camera probably cost his brother a few hundred bucks. Take a few bucks for a roll of film, etc.. and you are still on top. Take a new Leica M9, shoot 36 frames, uploaded onto your new Intel Mac, and remember, you have 6999 rolls of film to go.

Monday, September 07, 2009

A sign around town

Took a walk today...found a few funny things.



Its obvious the non English speaking sign maker (its a Korean bar/restaurant) was trying to say Karaoke* but couldn't figure out the correct spelling in English. I don't know what the Asian script characters mean but I will find out.

As the owner of the facility, I would have made sure the sign maker spelled it right. Well, maybe I didn't know how to spell it myself. ?????


*according to Wikipedia, "Karaoke is the Japanese blending of two words...Japanese kara 空 "empty," and ōkesutora オーケストラ "orchestra."






People were sitting at this bus stop near Don Quxiote. I was surprised yet I didn't smell anything too bad as we walked by. I was curious at how much urine someone had to make to have the city come out and put up this official sign and danger tape.
I hope they washed their hands.

I can't help but to wonder at the person who had the task of writing this sign. At least they spelled urine correct. Knowing Hawaii, I am surprised the sign artist didn't replace urine with shi shi.

If the city didn't want anyone to sit at the bus stop they should have written...

Oh, no sit cuz plenny shi shi ovah hear.

Sunday, September 06, 2009

Mercenary

From Wikipedia....

a freelancer, freelance worker, or freelance is a self-employed person who pursues a profession without a long-term commitment to any particular employer. The term was first used by Sir Walter Scott (1771–1832) in Ivanhoe to describe a "medieval mercenary warrior" or "free-lance".

Today I figured out I am a mercenary. I've always figured but here is the proof.

Trade the lance for a camera and off we go, shooting all in sight.

Thursday, September 03, 2009

Tuesday, September 01, 2009

Shadows, digital, and a snap...



I have a collection of the Best of Photojournalism books from the early to mid 1980's which taught me how to see things as a photographer. How to expose film to get a feeling, capture a moment, and use the darkroom as a tool to make an image snap. As a young dreamy photographer, I would peruse image after image from revolutionary Nicaragua, Jewish immigrants in South Beach, and crack heads in New York City. That grainy portrait, the dark shadows and poppy highlights. Creative darkroom work made those images even better. I mean really really powerful. Those books made me dream of the day I would run around the world with an Nikon F3HP, a pocket full of Tri-X, and a few Nikkor primes.

Alas, those days are gone. Everything...youthful naivety, the desire to be a war correspondent and that pocket full of Tri-X. Film, sure it still around, but digital is king. I still use it but 99.9% of all of my jobs are purely from my Canon digital bodies.

I shot this bike rack with my Leica and a 1970s Summilux 35mm lens. I had to do a little "dodging and burning" in photoshop but nothing more. Well, a little tweaking in levels but really, its the film. The film was not able to resolve the shadows and expose the highlights properly. Sure I could have exposed a little differently but shooting a stop under really made this graphic snap. Digital would have captured this scene completely different. Even if I were to have dropped my exposure a few stops under, I don't think it would have recorded this type of feeling. Digital has taken the magic out of photography.

I don't think my photo above is something that special but it shows where and how I sometimes look at the world. In reality, I don't think this image would have looked the way it does if it was shot digitally. Digital has way too much resolution and I would have had a great exposure with plenty detail in the shadow areas.



I shot this image this afternoon from my lanai err...balcony today and I kinda got the same shadow effect but the digital file just recorded too much. I completely played with this image to make a darker shadow but it wouldn't budge. Its interesting but what snaps more?